| SELF TALK SECRETS TO MASTER 2-STEP GARAGE | 1 |
| SELF TALK SECRETS TO MASTER 2 TONE | 2 |
| SELF TALK SECRETS TO MASTER 4-BEAT | 3 |
| SELF TALK SECRETS TO MASTER 8-BIT | 4 |
| SELF TALK SECRETS TO MASTER A CAPPELLA - ANY SINGING PERFORMED WITHOUT INSTRUMENTAL BACKING | 5 |
| SELF TALK SECRETS TO MASTER ACID JAZZ - A COMBINATION OF JAZZ,FUNK,AND HIP HOP | 6 |
| SELF TALK SECRETS TO MASTER ACID ROCK | 7 |
| SELF TALK SECRETS TO MASTER AFROBEAT - A COMBINATION OF YORUBA MUSIC, JAZZ, HIGHLIFE, AND FUNK RHYTHMS, FUSED WITH PERCUSSION AND VOCAL STYLES, POPULARIZED IN AFRICA IN THE 1970S. | 8 |
| SELF TALK SECRETS TO MASTER [EDIT] AL-AN | 9 |
| SELF TALK SECRETS TO MASTER ALEATORIC MUSIC - MUSIC THE COMPOSITION OF WHICH IS PARTIALLY LEFT TO CHANCE | 10 |
| SELF TALK SECRETS TO MASTER ALPINE NEW WAVE | 11 |
| SELF TALK SECRETS TO MASTER ALTERNATIVE COUNTRY - REACTION AGAINST THE 1990S HIGHLY-POLISHED NASHVILLE SOUND | 12 |
| SELF TALK SECRETS TO MASTER ALTERNATIVE DANCE - MUSIC COMBINING ELEMENTS OF DANCE-POP (OR OTHER FORMS OF ELECTRONIC HOUSE OR TECHNO) AND ALTERNATIVE ROCK GENRES SUCH AS INDIE ROCK. | 13 |
| SELF TALK SECRETS TO MASTER ALTERNATIVE HIP HOP - OPPOSITE OF GANGSTA RAP, USUALLY INCLUDES METAPHORICAL AWARE LYRICS (ALSO KNOWN AS ALTERNATIVE RAP OR BOHEMIAN HIP HOP) | 14 |
| SELF TALK SECRETS TO MASTER ALTERNATIVE METAL - CATCH-ALL TERM FOR HEAVY METAL WHICH USES TECHNIQUES LESS CONVENTIONAL IN HEAVY METAL | 15 |
| SELF TALK SECRETS TO MASTER ALTERNATIVE ROCK - BROAD MOVEMENT BORN IN THE 1980S GENERALLY RELEGATED TO THE UNDERGROUND MUSIC SCENE AND OPERATING OUTSIDE OF THE MAINSTREAM | 16 |
| SELF TALK SECRETS TO MASTER AMERICANA- STYLE SIMILAR TO FOLK MUSIC, BUT WITH ELEMENTS OF NEWER STYLES SUCH AS ROCK AND RHYTHM AND BLUES | 17 |
| SELF TALK SECRETS TO MASTER ANTI-FOLK - SOUNDS RAW OR EXPERIMENTAL; IT ALSO GENERALLY MOCKS THE SERIOUSNESS AND PRETENSION OF THE ESTABLISHED MAINSTREAM MUSIC SCENE IN ADDITION TO MOCKING ITSELF. | 18 |
| SELF TALK SECRETS TO MASTER [EDIT] AP-AX | 19 |
| SELF TALK SECRETS TO MASTER APALA | 20 |
| SELF TALK SECRETS TO MASTER ARABESQUE - A VERSATILE COLLECTION OF MUSIC FUSING EASTERN FOLK MUSIC, ARAB CLASSICAL MUSIC AND VARIOUS OTHER GENRES | 21 |
| SELF TALK SECRETS TO MASTER ARGENTINE ROCK | 22 |
| SELF TALK SECRETS TO MASTER ARS ANTIQUA - MUSIC OF EUROPE OF THE LATE MIDDLE AGES BETWEEN APPROXIMATELY 1170 AND 1310 | 23 |
| SELF TALK SECRETS TO MASTER ARS NOVA - MUSIC OF THE LATE MIDDLE AGES, CENTERED IN FRANCE, WHICH ENCOMPASSED THE PERIOD ROUGHLY FROM 1310 TO 1314 | 24 |
| SELF TALK SECRETS TO MASTER ART ROCK - ROCK MUSIC THAT TENDS TO HAVE "EXPERIMENTAL OR AVANT-GARDE INFLUENCES" AND EMPHASIZES "NOVEL SONIC TEXTURE. | 25 |
| SELF TALK SECRETS TO MASTER ASHIQ - AZERI BARDS WHO SING AND ACCOMPANY THEMSELVES ON A SAZ (A KIND OF LUTE) | 26 |
| SELF TALK SECRETS TO MASTER AUSTRALIAN COUNTRY MUSIC (SEE ALSO COUNTRY MUSIC) | 27 |
| SELF TALK SECRETS TO MASTER AUSTRALIAN PUB ROCK | 28 |
| SELF TALK SECRETS TO MASTER AUSTRALIAN HIP HOP | 29 |
| SELF TALK SECRETS TO MASTER AUSTRALIAN HUMOUR | 30 |
| SELF TALK SECRETS TO MASTER AVANT-GARDE JAZZ - SOUNDS VERY SIMILAR TO FREE JAZZ, BUT DIFFERS IN THAT, DESPITE ITS DISTINCT DEPARTURE FROM TRADITIONAL HARMONY, IT HAS A PREDETERMINED STRUCTURE OVER WHICH IMPROVISATION MAY TAKE PLACE. | 31 |
| SELF TALK SECRETS TO MASTER AVANT-GARDE METAL - A SUBGENRE OF HEAVY METAL MUSIC CHARACTERISED BY THE USE OF INNOVATIVE, AVANT-GARDE ELEMENTS, LARGE-SCALE EXPERIMENTATION, AND THE USE OF NON-STANDARD SOUNDS, INSTRUMENTS, AND SONG STRUCTURES. | 32 |
| SELF TALK SECRETS TO MASTER AVANT-GARDE MUSIC - USED AT DIFFERENT TIMES TO MEAN DIFFERENT KINDS OF MUSIC (USUALLY ART MUSIC) CONSIDERED AHEAD OF THEIR TIME AND CONTAINING NEW, UNUSUAL, OR EXPERIMENTAL IDEAS OR ELEMENTS OR FUSING DIFFERENT GENRES. | 33 |
| SELF TALK SECRETS TO MASTER AVANT-PUNK | 34 |
| SELF TALK SECRETS TO MASTER AXÉ - POP MUSIC FROM SALVADOR, BAHIA | 35 |
| SELF TALK SECRETS TO MASTER BACHATA - ORIGINATED IN THE COUNTRYSIDE AND THE RURAL NEIGHBORHOODS OF THE DOMINICAN REPUBLIC. ITS SUBJECTS ARE OFTEN ROMANTICAL; ESPECIALLY PREVALENT ARE TALES OF HEARTBREAK AND SADNESS. | 36 |
| SELF TALK SECRETS TO MASTER BAGGY | 37 |
| SELF TALK SECRETS TO MASTER BAIÃO - A NORTHEAST BRAZILIAN RHYTHMIC FORMULA THAT BECAME THE BASIS OF A WIDE RANGE OF MUSIC. | 38 |
| SELF TALK SECRETS TO MASTER BAKERSFIELD SOUND - GRITTY, HARD-EDGED REACTION AGAINST 1950S POP COUNTRY (NASHVILLE SOUND) | 39 |
| SELF TALK SECRETS TO MASTER BAKSHY - TURKMEN FOLK MUSIC MADE BY TRAVELLING MUSICIANS ALSO CALLED BAKSHY | 40 |
| SELF TALK SECRETS TO MASTER BAILA - SRI LANKAN DANCE MUSIC DERIVED FROM AFRICAN SLAVES HELD BY THE PORTUGUESE | 41 |
| SELF TALK SECRETS TO MASTER BAILE FUNK - BRAZILIAN DANCE MUSIC LITERALLY MEANS "BALL", AS IN "DANCE PARTY", AND "FUNK" | 42 |
| SELF TALK SECRETS TO MASTER BAISHA XIYUE - A SONG AND DANCE SUITE FROM THE NAXI OF LIJIANG, CHINA | 43 |
| SELF TALK SECRETS TO MASTER BAJOUROU - MALIAN (MALI) POP MUSIC USUALLY PLAYED AT WEDDINGS AND SOCIAL GATHERINGS. | 44 |
| SELF TALK SECRETS TO MASTER BAKOU - TRILLING VOCALS THAT ACCOMPANY WOLOF WRESTLING | 45 |
| SELF TALK SECRETS TO MASTER BAL-MUSETTE - A STYLE OF FRENCH MUSIC AND DANCE WHICH AROSE IN 1880S PARIS ESPECIALLY THE 5TH, 11TH, AND 12TH DISTRICTS. | 46 |
| SELF TALK SECRETS TO MASTER BALAKADRI - A TRADITIONAL QUADRILLE MUSIC THAT WAS PERFORMED FOR BALLS ON THE CARIBBEAN ISLAND OF GUADELOUPE. | 47 |
| SELF TALK SECRETS TO MASTER BALINESE GAMELAN - A FORM OF GAMELAN NATIVE TO BALI | 48 |
| SELF TALK SECRETS TO MASTER BALLAD - GENERIC TERM FOR USUALLY SLOW, ROMANTIC, DESPAIRING AND CATASTROPHIC SONGS | 49 |
| SELF TALK SECRETS TO MASTER BALLATA - AN ITALIAN POETIC AND MUSICAL FORM, WHICH WAS IN USE FROM THE LATE 13TH TO THE 15TH CENTURY. | 50 |
| SELF TALK SECRETS TO MASTER BALLET (MUSIC) | 51 |
| SELF TALK SECRETS TO MASTER BAMBOO BAND - ORIGINALLY FROM THE SOLOMON ISLANDS, MUSIC PLAYED BY HITTING BAMBOO TUBES WITH SANDALS | 52 |
| SELF TALK SECRETS TO MASTER BAMBUCO - THE "UNOFFICIAL MUSIC OF COLOMBIA". FOLK MUSIC ACCOMPANIED BY A STYLIZED GROUP DANCE IN EITHER A 6/8 OR 3/4 METER. | 53 |
| SELF TALK SECRETS TO MASTER BANDA - MEXICAN BRASS NORTEÑO POP MUSIC INVENTED IN THE 1960S | 54 |
| SELF TALK SECRETS TO MASTER BANGSAWAN - A TYPE OF TRADITIONAL MALAY OPERA. IT WAS KNOWN TO HAVE DEVELOPED FROM A SORT OF INDIAN THEATRE PERFORMANCE DURING THE 19TH CENTURY BY VISITING INDIAN TRAVELLERS. | 55 |
| SELF TALK SECRETS TO MASTER BANTOWBOL | 56 |
| SELF TALK SECRETS TO MASTER BARBERSHOP MUSIC - A STYLE OF A CAPPELLA, OR UNACCOMPANIED VOCAL MUSIC CHARACTERIZED BY CONSONANT FOUR-PART CHORDS FOR EVERY MELODY NOTE IN A PREDOMINANTLY HOMOPHONIC TEXTURE | 57 |
| SELF TALK SECRETS TO MASTER BARNDANCE | 58 |
| SELF TALK SECRETS TO MASTER BAROQUE MUSIC - 17TH-18TH CENTURY EUROPEAN CLASSICAL MUSIC | 59 |
| SELF TALK SECRETS TO MASTER BASS MUSIC (MIAMI BASS, BOOTY BASS) - ELECTRO INFLUENCED FORM OF HIP HOP DANCE MUSIC ARISING IN MIAMI, FLORIDA | 60 |
| SELF TALK SECRETS TO MASTER BATÁ-RUMBA - A FORM OF RUMBA MUSIC POPULAR MAINLY IN CUBA | 61 |
| SELF TALK SECRETS TO MASTER BATCAVE (CLUB) - ORIGINAL GOTHIC ROCK MUSIC. | 62 |
| SELF TALK SECRETS TO MASTER BATUCADA - A SUBSTYLE OF SAMBA AND REFERS TO AN AFRICAN INFLUENCED BRAZILIAN PERCUSSIVE STYLE, USUALLY PERFORMED BY AN ENSEMBLE. | 63 |
| SELF TALK SECRETS TO MASTER BATUCO | 64 |
| SELF TALK SECRETS TO MASTER BEACH MUSIC - A REGIONAL GENRE WHICH DEVELOPED FROM VARIOUS MUSICAL STYLES OF THE FORTIES, FIFTIES AND SIXTIES. THESE STYLES RANGED FROM BIG BAND SWING INSTRUMENTALS TO THE MORE RAUCOUS SOUNDS OF BLUES/JUMP BLUES, JAZZ, DOO-WOP, BOOGIE, RHYTHM AND BLUES, REGGAE, ROCKABILLY AND OLD-TIME ROCK AND ROLL. | 65 |
| SELF TALK SECRETS TO MASTER BEAT - A FUSION OF ROCK AND ROLL, DOO WOP, SKIFFLE, R&B AND SOUL. BEAT GROUPS CHARACTERISTICALLY HAD SIMPLE GUITAR-DOMINATED LINE-UPS, WITH VOCAL HARMONIES AND CATCHY TUNES. | 66 |
| SELF TALK SECRETS TO MASTER BEATBOXING - MUSIC PERFORMED BY PRODUCING PERCUSSIVE AND MELODIC SOUNDS WITH THE MOUTH ALONE, OFTEN MIMICKING INSTRUMENTS, RECORDED SAMPLES AND OTHER SOUNDS NOT TYPICALLY ASSOCIATED WITH VOCALIZATION. | 67 |
| SELF TALK SECRETS TO MASTER BEBOP - 1940S JAZZ STYLE WITH COMPLEX IMPROVISATION AND A FAST TEMPO | 68 |
| SELF TALK SECRETS TO MASTER BEIGUAN - TAIWANESE INSTRUMENTAL MUSIC | 69 |
| SELF TALK SECRETS TO MASTER BEL CANTO - ITALIAN VOCAL STYLE WHICH AROSE IN THE LATE 16TH CENTURY AND WHICH ENDED IN THE MID-19TH CENTURY | 70 |
| SELF TALK SECRETS TO MASTER BEND-SKIN - A KIND OF URBAN CAMEROONIAN POPULAR MUSIC. | 71 |
| SELF TALK SECRETS TO MASTER BENGA - A GENRE OF KENYAN POPULAR MUSIC | 72 |
| SELF TALK SECRETS TO MASTER BHAJAN - A HINDU RELIGIOUS SONG | 73 |
| SELF TALK SECRETS TO MASTER BHANGRA - ORIGINALLY PUNJABI DANCE MUSIC | 74 |
| SELF TALK SECRETS TO MASTER BHANGRA-WINE | 75 |
| SELF TALK SECRETS TO MASTER BHANGRAGGA | 76 |
| SELF TALK SECRETS TO MASTER BHANGRAMUFFIN | 77 |
| SELF TALK SECRETS TO MASTER BIG BAND MUSIC - LARGE ORCHESTRAS WHICH PLAY A FORM OF SWING MUSIC | 78 |
| SELF TALK SECRETS TO MASTER BIG BEAT - 1990S ELECTRONIC MUSIC BASED ON BREAKBEAT WITH OTHER INFLUENCES | 79 |
| SELF TALK SECRETS TO MASTER BIGUINE - GUADELOUPEAN FOLK MUSIC | 80 |
| SELF TALK SECRETS TO MASTER BLACK AMBIENT - BLACKENED FORM OF DARK AMBIENT MUSIC | 81 |
| SELF TALK SECRETS TO MASTER BLACKENED DEATH METAL - A FUSION BETWEEN DEATH AND BLACK METAL | 82 |
| SELF TALK SECRETS TO MASTER BLACK METAL - HIGHLY DISTORTED AND SWIFT FORM OF HEAVY METAL | 83 |
| SELF TALK SECRETS TO MASTER BLUEGRASS - AMERICAN COUNTRY MUSIC MIXED WITH IRISH AND SCOTTISH INFLUENCES | 84 |
| SELF TALK SECRETS TO MASTER BLUE-EYED SOUL - RHYTHM AND BLUES OR SOUL MUSIC PERFORMED BY WHITE ARTISTS. | 85 |
| SELF TALK SECRETS TO MASTER BLUES - AFRICAN-AMERICAN MUSIC FROM THE MISSISSIPPI DELTA AREA | 86 |
| SELF TALK SECRETS TO MASTER BLUES BALLAD - THE SOUND OF THE BLUES USING A BLUES SCALE AND BLUES STYLE CHORD PROGRESSIONS WITH A BRIDGE USING A DIFFERENT BLUESY CHORD PROGRESSION) | 87 |
| SELF TALK SECRETS TO MASTER BLUES-ROCK - A HYBRID MUSICAL GENRE COMBINING BLUESY IMPROVISATIONS OVER THE 12-BAR BLUES AND EXTENDED BOOGIE JAMS WITH ROCK AND ROLL STYLES. | 88 |
| SELF TALK SECRETS TO MASTER BIOMUSIC - A FORM OF EXPERIMENTAL MUSIC WHICH DEALS WITH SOUNDS CREATED OR PERFORMED BY LIVING THINGS. | 89 |
| SELF TALK SECRETS TO MASTER BITPOP - ELECTRONIC MUSIC, WHERE AT LEAST PART OF THE MUSIC IS MADE USING OLD 8-BIT COMPUTERS, GAME CONSOLES AND LITTLE TOY INSTRUMENTS. POPULAR CHOICES ARE THE COMMODORE 64, GAME BOY, ATARI 2600 AND NINTENDO ENTERTAINMENT SYSTEM. | 90 |
| SELF TALK SECRETS TO MASTER BOCET | 91 |
| SELF TALK SECRETS TO MASTER BOHEMIAN DUB - CONTEMPORARY MUSIC STYLE THAT BLENDS HIP HOP, DUB, FUNK, POP AND KLEZMER MUSIC | 92 |
| SELF TALK SECRETS TO MASTER BOI - CENTRAL AMAZONIAN FOLK MUSIC | 93 |
| SELF TALK SECRETS TO MASTER BOLERO - SPANISH AND CUBAN DANCE AND MUSIC | 94 |
| SELF TALK SECRETS TO MASTER BOMBA | 95 |
| SELF TALK SECRETS TO MASTER BOMBAY POP | 96 |
| SELF TALK SECRETS TO MASTER BONGO - DISTINCTIVE AFRICAN DRUM AND STYLE OF DRUMMING | 97 |
| SELF TALK SECRETS TO MASTER BOOGIE WOOGIE - STYLE OF PIANO-BASED BLUES POPULAR IN THE 1940S US | 98 |
| SELF TALK SECRETS TO MASTER BOOGALOO - SOUL AND MAMBO FUSION POPULAR IN 1960S UNITED STATES | 99 |
| SELF TALK SECRETS TO MASTER BOSSA NOVA | 100 |
| SELF TALK SECRETS TO MASTER BOTHY BALLAD - SONGS SUNG BY FARM LABOURERS, SPECIFICALLY IN THE NORTHEAST REGION OF SCOTLAND. | 101 |
| SELF TALK SECRETS TO MASTER BOUNCY TECHNO - A RAVE HARDCORE DANCE MUSIC STYLE THAT DEVELOPED FROM AROUND 1992, MOSTLY EMANATING FROM THE UNITED KINGDOM AND THE NETHERLANDS. | 102 |
| SELF TALK SECRETS TO MASTER BOY BAND | 103 |
| SELF TALK SECRETS TO MASTER BOY WITH GUITAR | 104 |
| SELF TALK SECRETS TO MASTER BRASS BAND - A MUSICAL GROUP GENERALLY CONSISTING ENTIRELY OF BRASS INSTRUMENTS, MOST OFTEN WITH A PERCUSSION SECTION. | 105 |
| SELF TALK SECRETS TO MASTER BRAZILIAN FUNK | 106 |
| SELF TALK SECRETS TO MASTER BRAZILIAN JAZZ - BOSSA NOVA AND SAMBA MIXED WITH AMERICAN JAZZ | 107 |
| SELF TALK SECRETS TO MASTER BREAKBEAT - A COLLECTION OF SUB-GENRES OF ELECTRONIC MUSIC, USUALLY CHARACTERIZED BY THE USE OF A NON-STRAIGHTENED 4/4 DRUM PATTERN (AS OPPOSED TO THE STEADY BEAT OF HOUSE OR TRANCE). THESE RHYTHMS MAY BE CHARACTERISED BY THEIR INTENSIVE USE OF SYNCOPATION AND POLYRHYTHMS. | 108 |
| SELF TALK SECRETS TO MASTER BREAKBEAT HARDCORE - A DERIVATE OF ACID HOUSE THAT COMBINES 4-TO-THE-FLOOR RHYTHMS WITH BREAKBEATS, AND IS ASSOCIATED WITH UK RAVE SCENE. | 109 |
| SELF TALK SECRETS TO MASTER BREAKCORE - AN ELECTRONIC MUSIC STYLE THAT BRINGS TOGETHER ELEMENTS OF INDUSTRIAL, JUNGLE, HARDCORE TECHNO AND IDM INTO A BREAKBEAT-ORIENTED SOUND THAT ENCOURAGES SPEED, COMPLEXITY, IMPACT AND MAXIMUM SONIC DENSITY. IT ADHERES TO A LOOSE SET OF STYLISTIC RULES. | 110 |
| SELF TALK SECRETS TO MASTER BRILL BUILDING POP - NAMED AFTER NEW YORK'S BRILL BUILDING AT 1619 BROADWAY | 111 |
| SELF TALK SECRETS TO MASTER BRITFUNK | 112 |
| SELF TALK SECRETS TO MASTER BRITPOP | 113 |
| SELF TALK SECRETS TO MASTER BRITISH BLUES | 114 |
| SELF TALK SECRETS TO MASTER BRITISH INVASION - ROCK AND ROLL, BEAT AND POP PERFORMERS FROM THE UNITED KINGDOM WHO BECAME POPULAR IN THE UNITED STATES FROM 1964 TO 1966. | 115 |
| SELF TALK SECRETS TO MASTER BROKEN BEAT - AN ELECTRONIC MUSIC GENRE WHICH CAN BE CHARACTERIZED BY SYNCOPATED RHYTHM TYPICALLY IN 4/4 METRE, WITH STAGGERED OR PUNCTUATED SNARE BEATS AND/OR HAND CLAPS. | 116 |
| SELF TALK SECRETS TO MASTER BROWN-EYED SOUL - A SUBGENRE OF SOUL MUSIC OR RHYTHM AND BLUES CREATED IN THE UNITED STATES MAINLY BY LATINOS IN SOUTHERN CALIFORNIA DURING THE 1960S, CONTINUING THROUGH TO THE EARLY 1980S. | 117 |
| SELF TALK SECRETS TO MASTER BRUKDOWN - RURAL BELIZEAN KRIOL MUSIC | 118 |
| SELF TALK SECRETS TO MASTER BUBBLEGUM DANCE | 119 |
| SELF TALK SECRETS TO MASTER BUBBLEGUM POP - SOMETIMES SYNONYMOUS WITH POP MUSIC, ESPECIALLY THAT PERFORMED BY TEEN IDOLS; CAN ALSO REFER TO SPECIFIC STYLES OF SOUTH AFRICAN OR JAPANESE POP | 120 |
| SELF TALK SECRETS TO MASTER BIKUTSI | 121 |
| SELF TALK SECRETS TO MASTER BULERIAS | 122 |
| SELF TALK SECRETS TO MASTER BUMBA-MEU-BOI | 123 |
| SELF TALK SECRETS TO MASTER BUNRAKU - JAPANESE STYLE ORIGINATED FROM A KIND OF PUPPET-THEATER. | 124 |
| SELF TALK SECRETS TO MASTER BURGER-HIGHLIFE | 125 |
| SELF TALK SECRETS TO MASTER BURGUNDIAN SCHOOL... | 126 |
| SELF TALK SECRETS TO MASTER CA DIN TULNIC | 127 |
| SELF TALK SECRETS TO MASTER CA PE LUNCA | 128 |
| SELF TALK SECRETS TO MASTER CA TRÙ - (HAT A DAO) VIETNAMESE FOLK MUSIC | 129 |
| SELF TALK SECRETS TO MASTER CABARET | 130 |
| SELF TALK SECRETS TO MASTER CADENCE | 131 |
| SELF TALK SECRETS TO MASTER CADENCE-LYPSO - GUITAR-DOMINATED CADENCE MUSIC COMBINED WITH CALYPSO HORNS | 132 |
| SELF TALK SECRETS TO MASTER CADENCE RAMPA | 133 |
| SELF TALK SECRETS TO MASTER CAFÉ-AMAN | 134 |
| SELF TALK SECRETS TO MASTER CAI LUONG - VIETNAMESE OPERA | 135 |
| SELF TALK SECRETS TO MASTER CAJUN MUSIC | 136 |
| SELF TALK SECRETS TO MASTER CAKEWALK | 137 |
| SELF TALK SECRETS TO MASTER CALENDA - TRINIDADIAN DRUM DANCE | 138 |
| SELF TALK SECRETS TO MASTER CALENTANOS - FOLK MUSIC OF THE BALSAS RIVER BASIN, MEXICO | 139 |
| SELF TALK SECRETS TO MASTER CALGIA - TRADITIONAL URBAN ENSEMBLE MUSIC FROM MACEDONIA | 140 |
| SELF TALK SECRETS TO MASTER CALIPSO - VENEZUELAN CALYPSO MUSIC | 141 |
| SELF TALK SECRETS TO MASTER CALYPSO - TRINIDADIAN FOLK, AND LATER POP, GENRE | 142 |
| SELF TALK SECRETS TO MASTER CALYPSO-STYLE BAILA - SRI LANKAN BAILA MIXED WITH CALYPSO INFLUENCES | 143 |
| SELF TALK SECRETS TO MASTER CAMPURSARI - INDONESIAN MODERN FOLK MUSIC, A FUSION OF DANGDUT, LANGGAM, AND POP MUSIC | 144 |
| SELF TALK SECRETS TO MASTER CAMPILLANEROS | 145 |
| SELF TALK SECRETS TO MASTER CAÑA | 146 |
| SELF TALK SECRETS TO MASTER CANATRONIC | 147 |
| SELF TALK SECRETS TO MASTER CANDOMBE | 148 |
| SELF TALK SECRETS TO MASTER CANON | 149 |
| SELF TALK SECRETS TO MASTER CANROCK | 150 |
| SELF TALK SECRETS TO MASTER CANTATA | 151 |
| SELF TALK SECRETS TO MASTER CANTE CHICO | 152 |
| SELF TALK SECRETS TO MASTER CANTE JONDO | 153 |
| SELF TALK SECRETS TO MASTER CANTERBURY SCENE | 154 |
| SELF TALK SECRETS TO MASTER CANTIÑAS | 155 |
| SELF TALK SECRETS TO MASTER CANTIGA - PORTUGUESE BALLAD FORM | 156 |
| SELF TALK SECRETS TO MASTER CANTIQUE | 157 |
| SELF TALK SECRETS TO MASTER CANTO LIVRE - PORTUGUESE MODERNIZED FADO | 158 |
| SELF TALK SECRETS TO MASTER CANTO NUEVO - BOLIVIAN POP-FOLK MUSIC WHICH EVOLVED OUT OF CHILEAN NUEVA CANCION | 159 |
| SELF TALK SECRETS TO MASTER CANTO POPULAR - URUGUAYAN SINGER-SONGWRITER NATIVIST MUSIC | 160 |
| SELF TALK SECRETS TO MASTER CANTOPOP - WESTERN-STYLE POP MUSIC FROM HONG KONG | 161 |
| SELF TALK SECRETS TO MASTER CANZONE NAPOLETANA - URBAN SONGS FROM NAPLES | 162 |
| SELF TALK SECRETS TO MASTER CAPOEIRA MUSIC | 163 |
| SELF TALK SECRETS TO MASTER CARACOLES | 164 |
| SELF TALK SECRETS TO MASTER CARCELERAS | 165 |
| SELF TALK SECRETS TO MASTER CARDAS | 166 |
| SELF TALK SECRETS TO MASTER CARIMBÓ - DANCE MUSIC OF BELÉM, BRAZIL | 167 |
| SELF TALK SECRETS TO MASTER CARISO | 168 |
| SELF TALK SECRETS TO MASTER CARNATIC MUSIC - SOUTH INDIAN CLASSICAL MUSIC | 169 |
| SELF TALK SECRETS TO MASTER CAROL | 170 |
| SELF TALK SECRETS TO MASTER CARTAGENERAS | 171 |
| SELF TALK SECRETS TO MASTER CASSÉY-CO | 172 |
| SELF TALK SECRETS TO MASTER CASSETTE CULTURE | 173 |
| SELF TALK SECRETS TO MASTER CAVACHA | 174 |
| SELF TALK SECRETS TO MASTER CA..DONCASTER ROVERS | 175 |
| SELF TALK SECRETS TO MASTER CCM (CONTEMPORARY CHRISTIAN MUSIC) | 176 |
| SELF TALK SECRETS TO MASTER CELEMPUNGAN | 177 |
| SELF TALK SECRETS TO MASTER CELLO ROCK | 178 |
| SELF TALK SECRETS TO MASTER CELTIC | 179 |
| SELF TALK SECRETS TO MASTER CELTIC FUSION | 180 |
| SELF TALK SECRETS TO MASTER CELTIC METAL | 181 |
| SELF TALK SECRETS TO MASTER CELTIC PUNK | 182 |
| SELF TALK SECRETS TO MASTER CELTIC REGGAE | 183 |
| SELF TALK SECRETS TO MASTER CELTIC ROCK | 184 |
| SELF TALK SECRETS TO MASTER CHA-CHA-CHA | 185 |
| SELF TALK SECRETS TO MASTER CHAKACHA | 186 |
| SELF TALK SECRETS TO MASTER CHAMAMÉ - ARGENTINIAN FOLK MUSIC | 187 |
| SELF TALK SECRETS TO MASTER CHAMBER JAZZ | 188 |
| SELF TALK SECRETS TO MASTER CHAMBER POP | 189 |
| SELF TALK SECRETS TO MASTER CHAMBER MUSIC | 190 |
| SELF TALK SECRETS TO MASTER CHAMPETA - COLOMBIAN MUSICAL FORM DERIVED FROM AFRICAN COMMUNITIES IN CARTAGENA | 191 |
| SELF TALK SECRETS TO MASTER CHAMPLOO | 192 |
| SELF TALK SECRETS TO MASTER CHALGA | 193 |
| SELF TALK SECRETS TO MASTER CHANGUÍ | 194 |
| SELF TALK SECRETS TO MASTER CHANSON | 195 |
| SELF TALK SECRETS TO MASTER CHANT | 196 |
| SELF TALK SECRETS TO MASTER CHARANGA | 197 |
| SELF TALK SECRETS TO MASTER CHARANGA-VALLENATA - 1980S MIXTURE OF SALSA, CHARANGA AND VALLENATA | 198 |
| SELF TALK SECRETS TO MASTER CHARIKAWI | 199 |
| SELF TALK SECRETS TO MASTER CHASTUSHKI - HUMOROUS RUSSIAN FOLK SONGS | 200 |
| SELF TALK SECRETS TO MASTER CHAU VAN - VIETNAMESE TRANCE MUSIC | 201 |
| SELF TALK SECRETS TO MASTER CHEMICAL BREAKS | 202 |
| SELF TALK SECRETS TO MASTER CHÈO | 203 |
| SELF TALK SECRETS TO MASTER CHICAGO BLUES | 204 |
| SELF TALK SECRETS TO MASTER CHICAGO HOUSE | 205 |
| SELF TALK SECRETS TO MASTER CHICAGO JAZZ (DIXIELAND JAZZ) | 206 |
| SELF TALK SECRETS TO MASTER CHICAGO SOUL | 207 |
| SELF TALK SECRETS TO MASTER CHICHA - A PERUVIAN FUSION OF ROCK AND ROLL, CUMBIA AND HUAYNO | 208 |
| SELF TALK SECRETS TO MASTER CHICKEN SCRATCH - ARIZONA-BASED WHITE AMERICAN MUSIC | 209 |
| SELF TALK SECRETS TO MASTER CHILLOUT | 210 |
| SELF TALK SECRETS TO MASTER CHIMURENGA (MBIRA) | 211 |
| SELF TALK SECRETS TO MASTER CHINESE MUSIC | 212 |
| SELF TALK SECRETS TO MASTER CHINESE ROCK - ROCK AND ROLL FROM CHINA / TAIWAN, OFTEN WITH PROTEST LYRICS | 213 |
| SELF TALK SECRETS TO MASTER CHIP MUSIC | 214 |
| SELF TALK SECRETS TO MASTER CHONGAK - KOREAN ARISTOCRATIC CHAMBER MUSIC | 215 |
| SELF TALK SECRETS TO MASTER CHOUVAL BWA | 216 |
| SELF TALK SECRETS TO MASTER CHOWTAL | 217 |
| SELF TALK SECRETS TO MASTER CHO-KANTRUM - THE MOST TRADITIONAL FORM OF CAMBODIAN KANTRUM | 218 |
| SELF TALK SECRETS TO MASTER CHOPERA - CHURCH OPERA | 219 |
| SELF TALK SECRETS TO MASTER CHORINHO | 220 |
| SELF TALK SECRETS TO MASTER CHORO - BRAZILIAN FOLK MUSIC | 221 |
| SELF TALK SECRETS TO MASTER CHRISTIAN ALTERNATIVE | 222 |
| SELF TALK SECRETS TO MASTER CHRISTIAN BLACK METAL (KNOWN AS UNBLACK METAL) | 223 |
| SELF TALK SECRETS TO MASTER CHRISTMAS CAROL | 224 |
| SELF TALK SECRETS TO MASTER SEE ALSO: LIST OF CHRISTMAS CAROLS | 225 |
| SELF TALK SECRETS TO MASTER CHRISTIAN ELECTRONIC MUSIC | 226 |
| SELF TALK SECRETS TO MASTER CHRISTIAN HARDCORE | 227 |
| SELF TALK SECRETS TO MASTER CHRISTIAN HIP HOP | 228 |
| SELF TALK SECRETS TO MASTER CHRISTIAN INDUSTRIAL | 229 |
| SELF TALK SECRETS TO MASTER CHRISTIAN METAL | 230 |
| SELF TALK SECRETS TO MASTER CHRISTIAN MUSIC | 231 |
| SELF TALK SECRETS TO MASTER CHRISTIAN PUNK | 232 |
| SELF TALK SECRETS TO MASTER CHRISTIAN ROCK | 233 |
| SELF TALK SECRETS TO MASTER CHRISTIAN SKA | 234 |
| SELF TALK SECRETS TO MASTER CHYLANDYK - TYPE OF XOOMII WHICH SOUNDS LIKE THE CHIRPING OF CRICKETS | 235 |
| SELF TALK SECRETS TO MASTER CHZALNI | 236 |
| SELF TALK SECRETS TO MASTER CHUMBA | 237 |
| SELF TALK SECRETS TO MASTER CHUT-KAI-PANG | 238 |
| SELF TALK SECRETS TO MASTER CHUTNEY - POPULAR INDO-CARIBBEAN MUSIC | 239 |
| SELF TALK SECRETS TO MASTER CHUTNEY-BHANGRA | 240 |
| SELF TALK SECRETS TO MASTER CHUTNEY-HIP HOP | 241 |
| SELF TALK SECRETS TO MASTER CHUTNEY-SOCA - CHUTNEY MIXED WITH CALYPSO AND OTHER INFLUENCES | 242 |
| SELF TALK SECRETS TO MASTER [EDIT] CI-CL | 243 |
| SELF TALK SECRETS TO MASTER CIGÁNYZENE | 244 |
| SELF TALK SECRETS TO MASTER CLASSIC COUNTRY | 245 |
| SELF TALK SECRETS TO MASTER CLASSIC FEMALE BLUES - EARLY POPULAR FORM OF BLUES | 246 |
| SELF TALK SECRETS TO MASTER CLASSIC ROCK | 247 |
| SELF TALK SECRETS TO MASTER CLASSICAL MUSIC | 248 |
| SELF TALK SECRETS TO MASTER CLASSICAL MUSIC ERA (~1730-1820), FOR WHAT'S POPULARLY KNOWN AS "CLASSICAL MUSIC", SEE EUROPEAN CLASSICAL MUSIC OR LIST OF MUSICAL MOVEMENTS | 249 |
| SELF TALK SECRETS TO MASTER CLICKS N CUTS | 250 |
| SELF TALK SECRETS TO MASTER CLOSE HARMONY | 251 |
| SELF TALK SECRETS TO MASTER CLUB | 252 |
| SELF TALK SECRETS TO MASTER COCOBALE | 253 |
| SELF TALK SECRETS TO MASTER COIMBRA FADO - A FORM OF REFINED FADO FROM COIMBRA, PORTUGAL | 254 |
| SELF TALK SECRETS TO MASTER COLADEIRA | 255 |
| SELF TALK SECRETS TO MASTER COLOMBIANAS | 256 |
| SELF TALK SECRETS TO MASTER COMBINED RHYTHM - MUSIC OF THE DUTCH ANTILLES | 257 |
| SELF TALK SECRETS TO MASTER COMEDY RAP | 258 |
| SELF TALK SECRETS TO MASTER COMEDY ROCK | 259 |
| SELF TALK SECRETS TO MASTER COMIC OPERA | 260 |
| SELF TALK SECRETS TO MASTER COMPARSA | 261 |
| SELF TALK SECRETS TO MASTER COMPAS DIRECT | 262 |
| SELF TALK SECRETS TO MASTER COMPAS MERINGUE | 263 |
| SELF TALK SECRETS TO MASTER CONCERT OVERTURE | 264 |
| SELF TALK SECRETS TO MASTER CONCERTO | 265 |
| SELF TALK SECRETS TO MASTER CONCERTO GROSSO | 266 |
| SELF TALK SECRETS TO MASTER CONGO - PANAMANIAN DANCE MUSIC | 267 |
| SELF TALK SECRETS TO MASTER CONJUNTO | 268 |
| SELF TALK SECRETS TO MASTER CONTEMPORARY AFRICA MUSIC | 269 |
| SELF TALK SECRETS TO MASTER CONTEMPORARY CHRISTIAN MUSIC (CCM) | 270 |
| SELF TALK SECRETS TO MASTER CONTEMPORARY R&B | 271 |
| SELF TALK SECRETS TO MASTER CONTONBLEY | 272 |
| SELF TALK SECRETS TO MASTER CONTRADANZA | 273 |
| SELF TALK SECRETS TO MASTER COOL JAZZ | 274 |
| SELF TALK SECRETS TO MASTER CORRIDO - STORYTELLING BALLADS FROM MEXICO | 275 |
| SELF TALK SECRETS TO MASTER CORSICAN POLYPHONIC SONG | 276 |
| SELF TALK SECRETS TO MASTER COTHOZA MFANA | 277 |
| SELF TALK SECRETS TO MASTER COUNTRY BLUES | 278 |
| SELF TALK SECRETS TO MASTER COUNTRY GOSPEL A.K.A. CHRISTIAN COUNTRY | 279 |
| SELF TALK SECRETS TO MASTER COUNTRY MUSIC | 280 |
| SELF TALK SECRETS TO MASTER COUNTRY-RAP | 281 |
| SELF TALK SECRETS TO MASTER COUNTRY ROCK | 282 |
| SELF TALK SECRETS TO MASTER COUNTRYPOLITAN | 283 |
| SELF TALK SECRETS TO MASTER COUNTRY POP | 284 |
| SELF TALK SECRETS TO MASTER COUPÉ-DÉCALÉ | 285 |
| SELF TALK SECRETS TO MASTER COUPLE DE SONNEURS - BRETON DANCE MUSIC | 286 |
| SELF TALK SECRETS TO MASTER COWPUNK | 287 |
| SELF TALK SECRETS TO MASTER COURTNEY | 288 |
| SELF TALK SECRETS TO MASTER CRAG | 289 |
| SELF TALK SECRETS TO MASTER CROSSOVER MUSIC | 290 |
| SELF TALK SECRETS TO MASTER CROSSOVER THRASH | 291 |
| SELF TALK SECRETS TO MASTER CRUNK - AMERICAN MUSIC | 292 |
| SELF TALK SECRETS TO MASTER CRUST PUNK | 293 |
| SELF TALK SECRETS TO MASTER CSÁRDÁS | 294 |
| SELF TALK SECRETS TO MASTER CUARTETO - ARGENTINIAN FOLK MUSIC | 295 |
| SELF TALK SECRETS TO MASTER CUDDLECORE | 296 |
| SELF TALK SECRETS TO MASTER CUECA | 297 |
| SELF TALK SECRETS TO MASTER CUMBIA - POPULAR DANCE MUSIC, ORIGINALLY COLOMBIAN BUT NOW POPULAR ACROSS LATIN AMERICA, ESPECIALLY MEXICO | 298 |
| SELF TALK SECRETS TO MASTER CUMBIA PANAMEÑA - PANAMANIAN CUMBIA | 299 |
| SELF TALK SECRETS TO MASTER CUMFA | 300 |
| SELF TALK SECRETS TO MASTER CUMBIA VILLERA - ARGENTINIAN TYPE OF CUMBIA WHICH CONTAINS MARGINAL LYRICS | 301 |
| SELF TALK SECRETS TO MASTER CYBERGRIND | 302 |
| SELF TALK SECRETS TO MASTER DABKA (DABKE) - PALESTINIAN DANCE MUSIC FOR WEDDINGS | 303 |
| SELF TALK SECRETS TO MASTER DADRA | 304 |
| SELF TALK SECRETS TO MASTER DAINA - LATVIAN SUNG POETRY | 305 |
| SELF TALK SECRETS TO MASTER DAINO - LITHUANIAN TRADITIONAL MUSIC | 306 |
| SELF TALK SECRETS TO MASTER DALAUNA | 307 |
| SELF TALK SECRETS TO MASTER DANCE (MUSICAL FORM) - DANCE (FORM OF MUSICAL COMPOSITION) | 308 |
| SELF TALK SECRETS TO MASTER DANCE MUSIC - ANY RHYTHMIC MUSIC INTENDED FOR DANCING | 309 |
| SELF TALK SECRETS TO MASTER DANCE-POP - COMTEMPORARY FORM OF DANCE MUSIC WITH POP MUSIC STRUCTURES | 310 |
| SELF TALK SECRETS TO MASTER DANCE-PUNK - FUSION OF PUNK ROCK, FUNK, DISCO, AND ELECTRO MUSIC (ALSO KNOWN AS DISCO-PUNK, PUNK-FUNK, AND INDIE-DANCE) | 311 |
| SELF TALK SECRETS TO MASTER DANCE-ROCK | 312 |
| SELF TALK SECRETS TO MASTER DANCEHALL | 313 |
| SELF TALK SECRETS TO MASTER DANGDUT - POPULAR INDONESIAN DANCE MUSIC WITH INFLUENCES FROM ARABIC AND INDIAN MUSIC | 314 |
| SELF TALK SECRETS TO MASTER DANSBAND | 315 |
| SELF TALK SECRETS TO MASTER DANZA | 316 |
| SELF TALK SECRETS TO MASTER DANZÓN | 317 |
| SELF TALK SECRETS TO MASTER DARK AMBIENT | 318 |
| SELF TALK SECRETS TO MASTER DARK CABARET | 319 |
| SELF TALK SECRETS TO MASTER DARKCORE (HARDCORE TECHNO) | 320 |
| SELF TALK SECRETS TO MASTER DARKCORE (DRUM & BASS) | 321 |
| SELF TALK SECRETS TO MASTER DARK POP | 322 |
| SELF TALK SECRETS TO MASTER DARKWAVE | 323 |
| SELF TALK SECRETS TO MASTER [EDIT] DE-DH | 324 |
| SELF TALK SECRETS TO MASTER DE CODRU | 325 |
| SELF TALK SECRETS TO MASTER DE DRAGOSTE | 326 |
| SELF TALK SECRETS TO MASTER DE JALE | 327 |
| SELF TALK SECRETS TO MASTER DE PAHAR | 328 |
| SELF TALK SECRETS TO MASTER DEATHCORE - A FUSION BETWEEN DEATH METAL AND METALCORE | 329 |
| SELF TALK SECRETS TO MASTER DEATHGRIND - A FUSION BETWEEN DEATH METAL AND GRINDCORE | 330 |
| SELF TALK SECRETS TO MASTER DEATH INDUSTRIAL | 331 |
| SELF TALK SECRETS TO MASTER DEATH METAL | 332 |
| SELF TALK SECRETS TO MASTER DEATH/DOOM - A FUSION BETWEEN DEATH METAL AND DOOM METAL | 333 |
| SELF TALK SECRETS TO MASTER DEATH ROCK | 334 |
| SELF TALK SECRETS TO MASTER DÉCIMA | 335 |
| SELF TALK SECRETS TO MASTER DEGUNG | 336 |
| SELF TALK SECRETS TO MASTER DELTA BLUES | 337 |
| SELF TALK SECRETS TO MASTER DEEP HOUSE | 338 |
| SELF TALK SECRETS TO MASTER DEEP SOUL | 339 |
| SELF TALK SECRETS TO MASTER DEMENTIA - RELATING TO THE STYLE OF MUSIC POPULARIZED BY THE DR. DEMENTO SHOW | 340 |
| SELF TALK SECRETS TO MASTER DESI - INDIAN FOLK MUSIC | 341 |
| SELF TALK SECRETS TO MASTER DETROIT BLUES | 342 |
| SELF TALK SECRETS TO MASTER DETROIT TECHNO | 343 |
| SELF TALK SECRETS TO MASTER DHAMAR - A TYPE OF HIGHLY-ORANEMENTED DHRUPAD | 344 |
| SELF TALK SECRETS TO MASTER DHIMOTIKÁ - TRADITIONAL GREEK SONGS | 345 |
| SELF TALK SECRETS TO MASTER DHRUPAD - HINDUSTANI VOCAL MUSIC PERFORMED BY MEN SINGING IN MEDIEVAL HINDI | 346 |
| SELF TALK SECRETS TO MASTER DHUN | 347 |
| SELF TALK SECRETS TO MASTER DIGITAL HARDCORE | 348 |
| SELF TALK SECRETS TO MASTER DIRGE | 349 |
| SELF TALK SECRETS TO MASTER DIRTY RAP | 350 |
| SELF TALK SECRETS TO MASTER DIRTY SOUTH (ALSO KNOWN AS SOUTHERN RAP) | 351 |
| SELF TALK SECRETS TO MASTER DISCO | 352 |
| SELF TALK SECRETS TO MASTER DISCO HOUSE | 353 |
| SELF TALK SECRETS TO MASTER DISCO POLO - POLISH NIGHTCLUB DANCE MUSIC, PLAYED IN '90S. | 354 |
| SELF TALK SECRETS TO MASTER DIVA HOUSE | 355 |
| SELF TALK SECRETS TO MASTER DIXIELAND JAZZ (CHICAGO JAZZ) | 356 |
| SELF TALK SECRETS TO MASTER DJAMBADON | 357 |
| SELF TALK SECRETS TO MASTER DODOMPA - JAPANESE TANGO | 358 |
| SELF TALK SECRETS TO MASTER DOINA | 359 |
| SELF TALK SECRETS TO MASTER DOMBOLA | 360 |
| SELF TALK SECRETS TO MASTER DONDANG SAYANG - SLOW FOLK MUSIC THAT MIXES MALAYSIAN FORMS WITH PORTUGUESE, INDIA, CHINESE AND ARABIC MUSIC | 361 |
| SELF TALK SECRETS TO MASTER DONEGAL FIDDLE TRADITION | 362 |
| SELF TALK SECRETS TO MASTER DONGJING - CHINESE NAXI FORM OF FOLK MUSIC, RELATED TO SILK AND BAMBOO MUSIC FROM CHINCA | 363 |
| SELF TALK SECRETS TO MASTER DOO WOP | 364 |
| SELF TALK SECRETS TO MASTER DOOM METAL | 365 |
| SELF TALK SECRETS TO MASTER DOOMCORE | 366 |
| SELF TALK SECRETS TO MASTER DOWNTEMPO | 367 |
| SELF TALK SECRETS TO MASTER DREAM POP | 368 |
| SELF TALK SECRETS TO MASTER DRONE DOOM (ALSO KNOWN AS DRONE METAL) | 369 |
| SELF TALK SECRETS TO MASTER DRONE MUSIC | 370 |
| SELF TALK SECRETS TO MASTER DRONOLOGY | 371 |
| SELF TALK SECRETS TO MASTER DRUM AND BASS (DNB) | 372 |
| SELF TALK SECRETS TO MASTER DUB | 373 |
| SELF TALK SECRETS TO MASTER DUB HOUSE | 374 |
| SELF TALK SECRETS TO MASTER DUBTRONICA | 375 |
| SELF TALK SECRETS TO MASTER DUBSTEP | 376 |
| SELF TALK SECRETS TO MASTER DUNUN - YORUBA DRUM MUSIC | 377 |
| SELF TALK SECRETS TO MASTER DUNEDIN SOUND - EARLY 1980S ALTERNATIVE ROCK SOUND BASED OUT OF DUNEDIN, NEW ZEALAND AND FLYING NUN RECORDS | 378 |
| SELF TALK SECRETS TO MASTER DUTCH JAZZ | 379 |
| SELF TALK SECRETS TO MASTER E-GRIND | 380 |
| SELF TALK SECRETS TO MASTER EARLY MUSIC | 381 |
| SELF TALK SECRETS TO MASTER EAST COAST BLUES | 382 |
| SELF TALK SECRETS TO MASTER EAST COAST HIP HOP | 383 |
| SELF TALK SECRETS TO MASTER EASTERN TRADITION OF SEPHARDIC MUSIC | 384 |
| SELF TALK SECRETS TO MASTER EASY LISTENING | 385 |
| SELF TALK SECRETS TO MASTER ELAFROLAÏKÓ | 386 |
| SELF TALK SECRETS TO MASTER ELECTRIC BLUES | 387 |
| SELF TALK SECRETS TO MASTER ELECTRIC FOLK | 388 |
| SELF TALK SECRETS TO MASTER ELECTRO | 389 |
| SELF TALK SECRETS TO MASTER ELECTRO BACKBEAT | 390 |
| SELF TALK SECRETS TO MASTER ELECTRO HOP | 391 |
| SELF TALK SECRETS TO MASTER ELECTRO-MAXIMAL | 392 |
| SELF TALK SECRETS TO MASTER ELECTRO-INDUSTRIAL | 393 |
| SELF TALK SECRETS TO MASTER ELECTRO PUNK | 394 |
| SELF TALK SECRETS TO MASTER ELECTROCLASH | 395 |
| SELF TALK SECRETS TO MASTER ELECTROFUNK | 396 |
| SELF TALK SECRETS TO MASTER ELECTRONIC ART MUSIC | 397 |
| SELF TALK SECRETS TO MASTER ELECTRONIC BODY MUSIC (EBM, ALSO KNOWN AS INDUSTRIAL DANCE) | 398 |
| SELF TALK SECRETS TO MASTER ELECTRONIC DANCE | 399 |
| SELF TALK SECRETS TO MASTER ELECTRONIC LUK THUNG - DANCE-READY FORM OF THAI PLENG LUK THUNG | 400 |
| SELF TALK SECRETS TO MASTER ELECTRONIC MUSIC | 401 |
| SELF TALK SECRETS TO MASTER ELECTRONIC ROCK | 402 |
| SELF TALK SECRETS TO MASTER ELECTRONICA | 403 |
| SELF TALK SECRETS TO MASTER ELECTROPOP | 404 |
| SELF TALK SECRETS TO MASTER ELEVATOR MUSIC (OR MUZAK) | 405 |
| SELF TALK SECRETS TO MASTER EMO | 406 |
| SELF TALK SECRETS TO MASTER ENKA - JAPANESE POP MUSIC, USING NATIVE FORMS | 407 |
| SELF TALK SECRETS TO MASTER EQUDORIAN MOGGADAWN POWER STOMP | 408 |
| SELF TALK SECRETS TO MASTER EREMWU EU | 409 |
| SELF TALK SECRETS TO MASTER ETHEREAL WAVE | 410 |
| SELF TALK SECRETS TO MASTER ETHEREAL POP | 411 |
| SELF TALK SECRETS TO MASTER EUBA | 412 |
| SELF TALK SECRETS TO MASTER EUROBEAT | 413 |
| SELF TALK SECRETS TO MASTER EURODANCE | 414 |
| SELF TALK SECRETS TO MASTER EURO DISCO | 415 |
| SELF TALK SECRETS TO MASTER EUROPOP | 416 |
| SELF TALK SECRETS TO MASTER EUROTRANCE | 417 |
| SELF TALK SECRETS TO MASTER EXOTICA | 418 |
| SELF TALK SECRETS TO MASTER EXPERIMENTAL MUSIC | 419 |
| SELF TALK SECRETS TO MASTER EXPERIMENTAL NOISE | 420 |
| SELF TALK SECRETS TO MASTER EXPERIMENTAL POP | 421 |
| SELF TALK SECRETS TO MASTER EXPERIMENTAL ROCK | 422 |
| SELF TALK SECRETS TO MASTER EXTREME METAL | 423 |
| SELF TALK SECRETS TO MASTER EZENGILEER - TYPE OF TUVAN XOOMII SAID TO IMITATE THE TROTTING OF HORSES. | 424 |
| SELF TALK SECRETS TO MASTER FADO - PORTUGUESE ROOTS-BASED POPULAR MUSIC | 425 |
| SELF TALK SECRETS TO MASTER FALAK - TAJIK FOLK MUSIC | 426 |
| SELF TALK SECRETS TO MASTER FANDANGO - SPANISH DANCE MUSIC | 427 |
| SELF TALK SECRETS TO MASTER FARRUCA - A GENRE OF FLAMENCO | 428 |
| SELF TALK SECRETS TO MASTER FILK - MODERN, SCIENCE FICTION-ORIENTED MUSIC | 429 |
| SELF TALK SECRETS TO MASTER FILM SCORES | 430 |
| SELF TALK SECRETS TO MASTER FILMI - INDIAN FILM MUSIC | 431 |
| SELF TALK SECRETS TO MASTER FILMI-GHAZAL - FILMI BASED ON HINDUSTANI GHAZAL | 432 |
| SELF TALK SECRETS TO MASTER FINGER-STYLE | 433 |
| SELF TALK SECRETS TO MASTER FJATPANGARRI - ABORIGINAL AUSTRALIAN MUSIC LOCAL TO YIRRBALA | 434 |
| SELF TALK SECRETS TO MASTER FLAMENCO - DANCE MUSIC OF ANDALUSIA, SPAIN | 435 |
| SELF TALK SECRETS TO MASTER FLOWER POWER | 436 |
| SELF TALK SECRETS TO MASTER FOAIE VERDE - CLASSICAL FORM OF ROMANIAN DOINA | 437 |
| SELF TALK SECRETS TO MASTER FOFA | 438 |
| SELF TALK SECRETS TO MASTER FOLK METAL | 439 |
| SELF TALK SECRETS TO MASTER FOLK MUSIC | 440 |
| SELF TALK SECRETS TO MASTER FOLK POP | 441 |
| SELF TALK SECRETS TO MASTER FOLK PUNK | 442 |
| SELF TALK SECRETS TO MASTER FOLK ROCK | 443 |
| SELF TALK SECRETS TO MASTER FOLKTRONICA | 444 |
| SELF TALK SECRETS TO MASTER FORRÓ - EXTREMELY POPULAR MUSIC OF NORTHEASTERN BRAZIL | 445 |
| SELF TALK SECRETS TO MASTER [EDIT] FR | 446 |
| SELF TALK SECRETS TO MASTER FRANCO-COUNTRY | 447 |
| SELF TALK SECRETS TO MASTER FREAKBEAT | 448 |
| SELF TALK SECRETS TO MASTER FREAK-FOLK | 449 |
| SELF TALK SECRETS TO MASTER FREE IMPROVISATION - FREEFORM MUSICAL IMPROVISATION | 450 |
| SELF TALK SECRETS TO MASTER FREE JAZZ - IMPROVISED 1960S JAZZ | 451 |
| SELF TALK SECRETS TO MASTER FREE MUSIC | 452 |
| SELF TALK SECRETS TO MASTER FREESTYLE | 453 |
| SELF TALK SECRETS TO MASTER FREESTYLE HOUSE - A CROSS-CULTURE MIX OF HIP-HOP/ELECTRO/HOUSE/POP | 454 |
| SELF TALK SECRETS TO MASTER FREETEKNO | 455 |
| SELF TALK SECRETS TO MASTER FRENCHCORE - EXISTS OF FAST AND DARK BEATS MOSTLY WITHOUT A MELODY. IT DOESN'T HAVE TO BE MADE IN FRANCE THOUGH. | 456 |
| SELF TALK SECRETS TO MASTER FREVO - FOLK MUSIC FROM RECIFE, BRAZIL | 457 |
| SELF TALK SECRETS TO MASTER FRICOTE - DANCE MUSIC FROM SALVADOR, BRAZIL | 458 |
| SELF TALK SECRETS TO MASTER [EDIT] FU | 459 |
| SELF TALK SECRETS TO MASTER FUJI - YORUBA VOCAL AND PERCUSSION MUSIC | 460 |
| SELF TALK SECRETS TO MASTER FULIA - AFRO-VENEZUELAN PERCUSSION MUSIC | 461 |
| SELF TALK SECRETS TO MASTER FULL ON | 462 |
| SELF TALK SECRETS TO MASTER FUNANÁ | 463 |
| SELF TALK SECRETS TO MASTER FUNERAL DOOM - AN EXTREMELY SLOW VERSION OF DOOM METAL, MOST COMMONLY MADE AT THE "PACE OF A FUNERAL MARCH" | 464 |
| SELF TALK SECRETS TO MASTER FUNK - A BASS-HEAVY OUTGROWTH OF SOUL MUSIC | 465 |
| SELF TALK SECRETS TO MASTER FUNKCORE | 466 |
| SELF TALK SECRETS TO MASTER FUNK METAL - 1980S COMBINATION OF FUNK, HEAVY METAL AND PUNK ROCK | 467 |
| SELF TALK SECRETS TO MASTER FUNK ROCK | 468 |
| SELF TALK SECRETS TO MASTER FUNKY HOUSE - CONSIDERED A SUBGENRE OF UK GARAGE | 469 |
| SELF TALK SECRETS TO MASTER FURNITURE MUSIC - ERIK SATIE'S INVENTION OF BACKGROUND MUSIC | 470 |
| SELF TALK SECRETS TO MASTER FUSION JAZZ - MIXTURE OF ROCK AND JAZZ | 471 |
| SELF TALK SECRETS TO MASTER GAA-GAL | 472 |
| SELF TALK SECRETS TO MASTER GAANA - TAMIL FOLK/RAP FROM CHENNAI, INDIA | 473 |
| SELF TALK SECRETS TO MASTER GABBER (ALSO SPELLED AS GABBA) | 474 |
| SELF TALK SECRETS TO MASTER GAGÁ | 475 |
| SELF TALK SECRETS TO MASTER GAGAKU - JAPANESE CLASSICAL MUSIC DERIVED FROM ANCIENT COURT TRADITIONS | 476 |
| SELF TALK SECRETS TO MASTER GAIKYOKU | 477 |
| SELF TALK SECRETS TO MASTER GAITA - AFRO-VENEZUELAN FORM OF PERCUSSION MUSIC | 478 |
| SELF TALK SECRETS TO MASTER GALANT | 479 |
| SELF TALK SECRETS TO MASTER [EDIT] GAM-GAN | 480 |
| SELF TALK SECRETS TO MASTER GAMAD - MALAY-STYLE | 481 |
| SELF TALK SECRETS TO MASTER GAMBANG KROMONG - POPULAR, HIGHLY-EVOLVED FORM OF KRONCONG, ORIGINALLY ADAPTED FOR THE THEATER | 482 |
| SELF TALK SECRETS TO MASTER GAME | 483 |
| SELF TALK SECRETS TO MASTER GAMELAN - DIVERSE INDONESIAN CLASSICAL MUSIC, MAKING USE OF A VAST ARRAY OF MELODIC PERCUSSION | 484 |
| SELF TALK SECRETS TO MASTER GAMELAN ANGKLUNG - BALINESE GAMELAN PLAYED FOR CREMATIONS AND FESTIVALS | 485 |
| SELF TALK SECRETS TO MASTER GAMELAN BEBONANGAN - BALINESE CYMBAL-BASED PROCESSIONAL GAMELAN | 486 |
| SELF TALK SECRETS TO MASTER GAMELAN DEGUNG - A FORM OF POPULAR SUNDANESE GAMELAN | 487 |
| SELF TALK SECRETS TO MASTER GAMELAN BANG - BALINESE SACRED GAMELAN PLAYED FOR CREMATIONS | 488 |
| SELF TALK SECRETS TO MASTER GAMELAN BUH - BALINESE FORM OF GAMELAN | 489 |
| SELF TALK SECRETS TO MASTER GAMELAN GEDE - CEREMONIAL GAMELAN FROM THE TEMPLE OF BATOR | 490 |
| SELF TALK SECRETS TO MASTER GAMELAN KEBYAR - AN ENERGETIC FORM OF LARGE BALINESE GAMELAN | 491 |
| SELF TALK SECRETS TO MASTER GAMELAN SALENDRO - GAMELAN DANCE MUSIC FROM SUNDA, KNOWN AS LOWER-CLASS MUSIC | 492 |
| SELF TALK SECRETS TO MASTER GAMELAN SELUNDING - POSSIBLY THE OLDEST STYLE OF GAMELAN, PLAYED ONLY IN THE VILLAGE OF TENGANAN IN BALI GAYMAN | 493 |
| SELF TALK SECRETS TO MASTER GAMELAN SEMAR PEGULINGAN - SENSUAL FORM OF GAMELAN FROM BALI | 494 |
| SELF TALK SECRETS TO MASTER GAMEWAVE | 495 |
| SELF TALK SECRETS TO MASTER GAMMELDANS | 496 |
| SELF TALK SECRETS TO MASTER GANDRUNG - OSING MUSIC PERFORMED AT WEDDINGS AND OTHER WASTE OF TIME. | 497 |
| SELF TALK SECRETS TO MASTER GANGSTA RAP - AMERICAN FORM OF HIP HOP MUSIC WHICH FOCUSES ON UNDERGROUND LIFESTYLES AND ILLEGAL ACTIVITIES. | 498 |
| SELF TALK SECRETS TO MASTER [EDIT] GAR-GAV | 499 |
| SELF TALK SECRETS TO MASTER GAR - TIBETAN CLASSICAL MUSIC FROM GABI GISHNOLA | 500 |
| SELF TALK SECRETS TO MASTER GARAGE ROCK | 501 |
| SELF TALK SECRETS TO MASTER GARROTIN | 502 |
| SELF TALK SECRETS TO MASTER GAVOTTE | 503 |
| SELF TALK SECRETS TO MASTER GELUGPA CHANTING - FORM OF TIBETAN BUDDHIST CHANTING, VERY AUSTERE AND RESTRAINED | 504 |
| SELF TALK SECRETS TO MASTER GENDER WAYANG - INDONESION GAMELAN THAT ACCOMPANIES SHADOW PLAYS AND OTHER PUPPET PLAYS | 505 |
| SELF TALK SECRETS TO MASTER GENDING - A DISTINCT GAMELAN MUSIC FROM SOUTHERN SUMATRA | 506 |
| SELF TALK SECRETS TO MASTER GERMAN FOLK MUSIC | 507 |
| SELF TALK SECRETS TO MASTER GHARBI | 508 |
| SELF TALK SECRETS TO MASTER GHARNATI | 509 |
| SELF TALK SECRETS TO MASTER GHAZAL - VOCAL FORM ORIGINALLY PERSIAN BUT SINCE SPREAD TO CENTRAL ASIA, IRAN, TURKEY AND INDIA | 510 |
| SELF TALK SECRETS TO MASTER GHAZAL-SONG - A MODERNIZED VERSION OF GHAZAL INFLUENCED BY FILMI | 511 |
| SELF TALK SECRETS TO MASTER GHETTO HOUSE - FORM OF MIAMI BASS INFLUENCED BY HOUSE MUSIC WHICH AROSE IN CHICAGO | 512 |
| SELF TALK SECRETS TO MASTER GHETTOTECH - FORM OF MIAMI BASS WHICH DEVELOPED IN 1990S DETROIT | 513 |
| SELF TALK SECRETS TO MASTER GIRL GROUP - GIRLS SINGING ROCK SONGS | 514 |
| SELF TALK SECRETS TO MASTER GIRL TALK | 515 |
| SELF TALK SECRETS TO MASTER GLAM METAL | 516 |
| SELF TALK SECRETS TO MASTER GLAM PUNK | 517 |
| SELF TALK SECRETS TO MASTER GLAM ROCK | 518 |
| SELF TALK SECRETS TO MASTER GLITCH | 519 |
| SELF TALK SECRETS TO MASTER GNAWA | 520 |
| SELF TALK SECRETS TO MASTER GO GO | 521 |
| SELF TALK SECRETS TO MASTER GOA (ALSO KNOWN AS GOA TRANCE) | 522 |
| SELF TALK SECRETS TO MASTER GONG-CHIME MUSIC | 523 |
| SELF TALK SECRETS TO MASTER GOOMBAY - BAHAMANIAN PERCUSSION MUSIC | 524 |
| SELF TALK SECRETS TO MASTER GOREGRIND | 525 |
| SELF TALK SECRETS TO MASTER GORE METAL | 526 |
| SELF TALK SECRETS TO MASTER GOSHU ONDO - A FORM OF POPULARIZED OKINAWAN FOLK MUSIC | 527 |
| SELF TALK SECRETS TO MASTER GOSPEL MUSIC | 528 |
| SELF TALK SECRETS TO MASTER GOTHENBURG SOUND | 529 |
| SELF TALK SECRETS TO MASTER GOTHIC METAL | 530 |
| SELF TALK SECRETS TO MASTER GOTHIC ROCK | 531 |
| SELF TALK SECRETS TO MASTER GRANADINAS | 532 |
| SELF TALK SECRETS TO MASTER GREBO | 533 |
| SELF TALK SECRETS TO MASTER GREGORIAN CHANT (PLAINCHANT) | 534 |
| SELF TALK SECRETS TO MASTER GRIME - EMERGED FROM EAST LONDON, DARK ELECTRONIC BEATS WITH RAPPING, RELATED TO UK GARAGE AND 2 STEP | 535 |
| SELF TALK SECRETS TO MASTER GRINDCORE | 536 |
| SELF TALK SECRETS TO MASTER GROOVE METAL | 537 |
| SELF TALK SECRETS TO MASTER GROUP SOUNDS - JAPANESE POP MUSIC FROM THE 1960S, WHICH INCLUDED APPALACHIAN FOLK MUSIC AND PSYCHEDELIC ROCK | 538 |
| SELF TALK SECRETS TO MASTER GRUNGE | 539 |
| SELF TALK SECRETS TO MASTER GRUNGE FUNK (ALSO KNOWN AS GRUNK) | 540 |
| SELF TALK SECRETS TO MASTER GRUPERA - A MIXTURE OF MEXICAN RANCHERA, NORTEÑO AND CUMBIA | 541 |
| SELF TALK SECRETS TO MASTER GUAGUANBO | 542 |
| SELF TALK SECRETS TO MASTER GUAJIRA | 543 |
| SELF TALK SECRETS TO MASTER GUASCA - FROM COLOMBIA | 544 |
| SELF TALK SECRETS TO MASTER GUITARRA BAIANA - FROM PERNAMBUCO, BRAZIL, A STYLE OF PLAYING FREVO USING ELECTRIC GUITARS | 545 |
| SELF TALK SECRETS TO MASTER GUITARRADAS | 546 |
| SELF TALK SECRETS TO MASTER GUMBE | 547 |
| SELF TALK SECRETS TO MASTER GUNCHEI | 548 |
| SELF TALK SECRETS TO MASTER GUNKA - MILITARY MARCHES WITH JAPANESE INFLUENCES, CREATED DURING THE MEIJI RESTORATION | 549 |
| SELF TALK SECRETS TO MASTER GUOYUE - INVENTED CONSERVATOIRE STYLE OF NATIONAL CHINESE MUSIC | 550 |
| SELF TALK SECRETS TO MASTER GWO KA - GUADELOUPAN PERCUSSION MUSIC | 551 |
| SELF TALK SECRETS TO MASTER GWO KA MODERNE - MODERNIZED GWO KA | 552 |
| SELF TALK SECRETS TO MASTER GYPSY JAZZ | 553 |
| SELF TALK SECRETS TO MASTER GYPSY PUNK | 554 |
| SELF TALK SECRETS TO MASTER GYU KE - FORM OF TIBETAN TANTRIC CHANTING | 555 |
| SELF TALK SECRETS TO MASTER HABANERA - AFRICANIZED DANZÓN | 556 |
| SELF TALK SECRETS TO MASTER HAIDUCESTI | 557 |
| SELF TALK SECRETS TO MASTER HAJNALI - HUNGARIAN-TRANSYLVANIAN WEDDING SONGS | 558 |
| SELF TALK SECRETS TO MASTER HAKKA | 559 |
| SELF TALK SECRETS TO MASTER HAMBO | 560 |
| SELF TALK SECRETS TO MASTER HANDS UP | 561 |
| SELF TALK SECRETS TO MASTER HAPA HAOLE - A MIXTURE OF TRADITIONAL HAWAIIAN MUSIC AND ENGLISH LYRICS | 562 |
| SELF TALK SECRETS TO MASTER HAPPY HARDCORE | 563 |
| SELF TALK SECRETS TO MASTER HAQIBAH | 564 |
| SELF TALK SECRETS TO MASTER HARDCORE HIP HOP | 565 |
| SELF TALK SECRETS TO MASTER HARDCORE METAL | 566 |
| SELF TALK SECRETS TO MASTER HARDCORE PUNK | 567 |
| SELF TALK SECRETS TO MASTER HARDCORE TECHNO | 568 |
| SELF TALK SECRETS TO MASTER HARD BOP (HARD BEBOP) | 569 |
| SELF TALK SECRETS TO MASTER HARD HOUSE | 570 |
| SELF TALK SECRETS TO MASTER HARD ROCK | 571 |
| SELF TALK SECRETS TO MASTER HARDSTYLE | 572 |
| SELF TALK SECRETS TO MASTER HARD TRANCE | 573 |
| SELF TALK SECRETS TO MASTER HAREPA - HARP-BASED MUSIC OF PEDI PEOPLE OF SOUTH AFRICA | 574 |
| SELF TALK SECRETS TO MASTER HARMONICA BLUES | 575 |
| SELF TALK SECRETS TO MASTER HASAPOSÉRVIKO | 576 |
| SELF TALK SECRETS TO MASTER [EDIT] HAT-HAZ | 577 |
| SELF TALK SECRETS TO MASTER HÁT CHÈO - AN ANCIENT FORM OF VIETNAMESE STAGE OPERA | 578 |
| SELF TALK SECRETS TO MASTER HÁT CÃI LUONG - VIETNAMESE POPULAR OPERA | 579 |
| SELF TALK SECRETS TO MASTER HÁT CHAU VAN - A POPULAR SPIRITUAL FOLK MUSIC OF VIETNAM | 580 |
| SELF TALK SECRETS TO MASTER HÁT TUồNG (HÁT BÔI) - VIETNAMESE OPERATIC MUSIC | 581 |
| SELF TALK SECRETS TO MASTER HEARTLAND ROCK | 582 |
| SELF TALK SECRETS TO MASTER HEAVY METAL | 583 |
| SELF TALK SECRETS TO MASTER HESHER | 584 |
| SELF TALK SECRETS TO MASTER HI-NRG | 585 |
| SELF TALK SECRETS TO MASTER HIGHLANDS | 586 |
| SELF TALK SECRETS TO MASTER HIGHLIFE | 587 |
| SELF TALK SECRETS TO MASTER HIGHLIFE FUSION | 588 |
| SELF TALK SECRETS TO MASTER HILLYBILLY MUSIC | 589 |
| SELF TALK SECRETS TO MASTER HIPLIFE | 590 |
| SELF TALK SECRETS TO MASTER HIP HOP | 591 |
| SELF TALK SECRETS TO MASTER HIP HOUSE | 592 |
| SELF TALK SECRETS TO MASTER HIP POP | 593 |
| SELF TALK SECRETS TO MASTER HINDUSTANI CLASSICAL MUSIC | 594 |
| SELF TALK SECRETS TO MASTER HIRAGASY | 595 |
| SELF TALK SECRETS TO MASTER HIVA USU - UNACCOMPANIED VOCAL CHRISTIAN MUSIC OF TONGA | 596 |
| SELF TALK SECRETS TO MASTER HONKY TONK | 597 |
| SELF TALK SECRETS TO MASTER HONKYOKU | 598 |
| SELF TALK SECRETS TO MASTER HORA LUNGA | 599 |
| SELF TALK SECRETS TO MASTER HORNPIPES | 600 |
| SELF TALK SECRETS TO MASTER HORRORCORE RAP | 601 |
| SELF TALK SECRETS TO MASTER HORROR PUNK | 602 |
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